环球百事通!新概念英语第四册课本原文:作家之所需

2024-9-21 09:36:58来源:网络

新概念英【yīng】语第四册课本原【yuán】文:作【zuò】家之【zhī】所需已发布,欢迎大家查【chá】看。新概念英语第四册内容主要针对的是基础比较薄弱的【de】同学,为【wéi】了【le】方便同学们可以更好地【dì】巩固英语基【jī】础【chǔ】,小【xiǎo】编还【hái】整理了新概念【niàn】英语第四册课文、新【xīn】概念英语第四册【cè】音【yīn】频相关内容【róng】,便于同学们【men】一【yī】起学习!

课文39 作家之所需

720. I have known very few writers,


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我的认识的作家寥寥无几,

721. but those I have known, and whom I respect, confess at once that they have little idea where they the are going when they first set pen to paper.

然【rán】而【ér】凡【fán】是我【wǒ】所认识和【hé】尊敬的作【zuò】家,都立即承【chéng】认在他【tā】们动笔时,不清楚要写什么,怎么写。

722. They have a character, perhaps two; they are in that condition of eager discomfort which passes for inspiration;

他们心中只【zhī】在一个或两个角色。他们处于【yú】急切【qiē】不安的状【zhuàng】态【tài】,而被当作是【shì】灵【líng】感。

723. all admit radical changes of destination once the journey has begun;

他们无不承认,一旦“旅程”开始,“目的地”常有急剧的变化。

724. one, to my certain knowledge, spent nine months on a novel about Kashmir, then reset the whole thing in the Scottish Highlands.

据我所知,有位作家花了9个月【yuè】的时间写了【le】一部关克什【shí】米【mǐ】尔的小【xiǎo】说,后【hòu】来却【què】把整个故事背【bèi】景换成【chéng】了苏格兰高地。

725. I never heard of anyone making a "skeleton", as we were taught at school.

我从未听说过任何一位作家像我们在学校那样,

726. In the breaking and remaking, in the timing, interweaving, beginning afresh, the writer comes to discern things in his material which were not consciously in his mind when he began.

动【dòng】笔前先列什么提纲。作【zuò】家在剪裁【cái】修改、构思【sī】时间、穿插情节、以至从【cóng】头【tóu】重写的过程中,会领悟【wù】到素材【cái】中很多东西是【shì】他刚动笔时【shí】所未意识到【dào】的。

727. This organic process, often leading to moments of extraordinary self-discovery, is of an indescribable fascination.

这种有机【jī】的加工【gōng】过程往【wǎng】往达【dá】到不寻常自我发现的境界,具有【yǒu】难【nán】以言表的构思魅力。

728. A blurred image appears; he adds a brushstroke and another, and it is gone;

一个朦【méng】胧的形象出现在【zài】作家的【de】脑【nǎo】海里【lǐ】,他左添一笔【bǐ】,右添一笔,形象【xiàng】反而消逝了;

729. but something was there, and he will not rest till he has captured it.

可是,好【hǎo】像还有什么【me】东【dōng】西存在着,不把它捕捉到【dào】,作家是不会罢休的【de】。

730. Sometimes the yeast within a writer outlives a book he has written.

有时,一个作家一本书写完了,但兴奋仍不消散。

731. I have heard of writers who read nothing but their own books;

我听说一些作家,除了自己的书外,别的书一概不读,

732. like adolescents they stand before the mirror, and still cannot fathom the exact outline of the vision before them.

犹如希腊神【shén】话中那位【wèi】漂亮的少年,站在镜前,不能辨【biàn】认自身的【de】真面【miàn】目。

733. For the same reason, writers talk interminably about their own books, winkling out hidden meanings, super-imposing new ones, begging response from those around them.

由【yóu】于这个【gè】原因,作家喋喋不休地谈【tán】论【lùn】自己的书,挖掘其隐晦的含义,询问周围【wéi】人的【de】反【fǎn】应。

734. Of course a writer doing this is misunderstood: he might as well try to explain a crime or a love affair.

作家如此行【háng】事当【dāng】然被【bèi】人误【wù】解。他还不如给人讲一【yī】个【gè】犯【fàn】罪案件或一个恋爱故事。

735. He is also, incidentally, an unforgivable bore.

顺便说一句,他也是个不可饶恕的令人厌烦的人。

736. This temptation to cover the distance between himself and the reader,

这种企图消除自己和读者之间距离的作法,

737. to study his image in the sight of those who do not know him, can be his undoing: he has begun to write to please.

企图用不了解自【zì】己的人的观【guān】点来研究自【zì】己塑造的形象的作法【fǎ】,会导【dǎo】致作家的【de】毁灭,因为他已经开始【shǐ】为取【qǔ】悦他人而写作了。

738. A young English writer made the pertinent observation a year or two back that the talent goes into the first draft, and the art into the drafts that follow.

一两年前【qián】,一位年【nián】轻的英【yīng】国【guó】作【zuò】家【jiā】发表了中肯的【de】看法。他说,初稿是才华,以后各【gè】稿是艺术。

739. For this reason also the writer, like any other artist, has no resting place, no crowd or movement in which he may take comfort, no judgment from outside which can replace the judgment from within.

也是【shì】由于【yú】这个【gè】原因,作家同任何艺术家一样,找不到可休息的场所,找不到伙伴【bàn】和活动使自己【jǐ】得到【dào】安逸。任【rèn】何局【jú】外【wài】人的判断也比不上他内心的正【zhèng】确判【pàn】断。

740. A writer makes order out of the anarchy of his heart;

一旦作家从内心的紊乱中理出头绪,

741. he submits himself to a more ruthless discipline than any critic dreamed of,

就应该按任何评论家想像不到的无情规范约束自己写作;

742. and when he flirts with fame, he is taking time off from living with himself, from the search for what his world contains at its inmost point.

当他沽名【míng】钓誉时,他就脱离了【le】自我生活【huó】,脱离了【le】对自己灵【líng】魂【hún】最深处世界的【de】探索。

以【yǐ】上就是【shì】为大【dà】家整理的“新概念【niàn】英语第四册课文原文:作家【jiā】之所需”,,更多新概念英语的【de】干【gàn】货【huò】内容【róng】,欢【huān】迎【yíng】访问新东方新概念英语课堂,查看新【xīn】概念英语【yǔ】第四【sì】册答案、新概念英语第四册详解和新概念英语第四册听力可供【gòng】参考【kǎo】。祝同学【xué】们学【xué】习新概念英语4顺利!


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